2024 World Press Photo Winners Show Why Photojournalism Matters

After announcing the regional winners earlier this month, World Press Photo has unveiled its 2024 global winners. Showcasing the biggest news stories in the world, the competition’s winners demonstrate the importance of photojournalism and documentary photography and the incredible lengths photographers go to tell vital stories.

World Press Photo of the Year

Photographer Mohammed Salem with Reuters captured the arresting prize-winning image in Palestine. Captured just days after his wife gave birth, Salem’s image shows Inas Abu Maamar, age 36, holding the body of her niece, Saly, five, who was killed along with her mother and sister by an Israeli missile strike near their home in Khan Younis, Gaza.

A woman dressed in blue and a yellow hijab, mourns, sitting, cradling her head in her arms while holding a deceased child wrapped in white cloth.
‘A Palestinian Woman Embraces the Body of Her Niece’ by Mohammed Salem, Palestine, Reuters | World Press Photo 2024

“In the photo, the woman cradles a child in her arms, balanced on her knee. It is an image that resonates, as ancient as human history,” writes Rosalba O’Brien for Reuters. “But in a grim inversion of the familiar, we see that the child she holds close is a corpse, wrapped in a shroud. It is a quiet moment of intense grief. The woman wears a headscarf and her head is bowed. We cannot see who she is nor can we learn anything about the child — not even if it is a boy or girl.”

The World Press Photo competition jury commented that the image, composed with care and respect, shows a metaphorical and literal view of intense and unimaginable loss.

Salem also won an award in the World Press Photo contest in 2010 for an image showing white phosphorous bombs exploding over the Gaza Strip.

World Press Photo Story of the Year

Lee-Ann Olwage’s winning photo story looks at dementia and the stigma surrounding it in Madagascar.

“This story tackles a universal health issue through the lens of family and care,” the contest jury says. “The selection of images are composed with warmth and tenderness reminding viewers of the love and closeness necessary in a time of war and aggression worldwide.”

An elderly man and a young girl, both dressed in formal clothing, stand in a rustic room, gazing down as they adjust their attire, with sunlight filtering in through a window.
‘Valim-babena’ by Lee-Ann Olwage, South Africa, for Geo | World Press Photo 2024
A woman in a dress and jacket and a young girl in a dress walk past a colorful storefront with various signs, in a bustling street scene. an older man walks in the background.
‘Valim-babena’ by Lee-Ann Olwage, South Africa, for Geo | World Press Photo 2024

In the photo above, “Dada Paul” and his granddaughter, Odilatemix, prepare for church. Dada Paul has lived with dementia for over a decade and is cared for by his daughter, Fara.

“Valim-babena,” the title of Olwage’s series, refers to the idea of gratitude owed to one’s parents. It reflects the sentiment that a person is shaped by their parents and that the direction of care goes both ways.

A woman in a floral dress and a man in a white shirt prepare food in a rustic kitchen, filled with homey decor and cooking utensils.
‘Valim-babena’ by Lee-Ann Olwage, South Africa, for Geo | World Press Photo 2024
A mother and daughter laugh joyfully while lying down together on a bed in a warmly lit room filled with books and pillows.
‘Valim-babena’ by Lee-Ann Olwage, South Africa, for Geo | World Press Photo 2024

For many in Madagascar, dementia remains an ignored or misunderstood condition. There are societal hurdles to clear, and Olwage hopes to help put a face to the disease and help people overcome ideas of dementia and Alzheimer’s as the result of witchcraft or demonic possession.

World Press Photo Long-Term Project Award

Much like Olwage’s winning images are part of a larger series, Alejandro Cegarra’s photo project has been years in the making. Since 2019, Mexico’s immigration policies have experienced a seismic shift and transformed the nation from generally friendly to migrants and asylum seekers to a country with stringent immigration policies.

Inspired by his own experience emigrating from Venezuela to Mexico in 2017, Cegarra’s project, started in 2018, examines the people affected by Mexico’s changing immigration policies.

A person balances atop a moving freight train, carefully walking along the narrow edge between two train cars under a cloudy sky.
‘The Two Walls’ by Alejandro Cegarra, Venezuela, The New York Times and Bloomberg | World Press Photo 2024
Black and white image of a group of diverse people dressed in eclectic clothing, sitting and standing around a stair-like structure filled with multiple pairs of shoes.
‘The Two Walls’ by Alejandro Cegarra, Venezuela, The New York Times and Bloomberg | World Press Photo 2024
Two people smiling and laughing together in a windy desert landscape, with one woman's hair blowing across her face. power lines and sparse vegetation are visible in the background.
‘The Two Walls’ by Alejandro Cegarra, Venezuela, The New York Times and Bloomberg | World Press Photo 2024
Two people are scaling a tall, vertical metal border fence using a makeshift ladder. one person is already at the top, while the other is midway. the background features a cloudy sky and barren landscape.
‘The Two Walls’ by Alejandro Cegarra, Venezuela, The New York Times and Bloomberg | World Press Photo 2024
Three immigration officers in uniforms, one in the foreground wearing a face mask, stand by a railway track in a desert area with power lines and sparse vegetation.
‘The Two Walls’ by Alejandro Cegarra, Venezuela, The New York Times and Bloomberg | World Press Photo 2024
A young girl, visibly distressed, stands at a gate receiving a document from a hand extending through the bars, as a man looks on seriously. this black and white photo captures a tense, emotional moment.
‘The Two Walls’ by Alejandro Cegarra, Venezuela, The New York Times and Bloomberg | World Press Photo 2024
A man in a wet tank top and shorts standing in a river, splashing water with his hands, with lush riverbanks in the background. the image is in black and white.
‘The Two Walls’ by Alejandro Cegarra, Venezuela, The New York Times and Bloomberg | World Press Photo 2024
Black and white image of a crowded river crossing where numerous people, carrying belongings, wade through water under a bridge, depicting a scene of migration or displacement.
‘The Two Walls’ by Alejandro Cegarra, Venezuela, The New York Times and Bloomberg | World Press Photo 2024

World Press Photo Open Format Award

Julia Kochetova has won this year’s Open Format Award for her clever multi-media look at the war in Ukraine. Peace is not on the horizon in Ukraine as the nation fights off the ongoing Russian invasion.

A photojournalist sits on the floor of a modestly furnished hotel room, looking thoughtful. nearby is a camera on a tripod and gear labeled "press." clothes and a pair of boots add to the cluttered space.
‘War Is Personal’ by Julia Kochetova, Ukraine | World Press Photo 2024
A man getting a face massage.
‘War Is Personal’ by Julia Kochetova, Ukraine | World Press Photo 2024
A firemen standing in front of a large fire.
‘War Is Personal’ by Julia Kochetova, Ukraine | World Press Photo 2024
A sunflower lies on dry, cracked soil, with its stem and leaves partially detached, conveying a scene of drought and environmental decline.
‘War Is Personal’ by Julia Kochetova, Ukraine | World Press Photo 2024
A person obscured by a large ukrainian flag, standing in a rural area with trees and a house in the background during twilight.
‘War Is Personal’ by Julia Kochetova, Ukraine | World Press Photo 2024
A soldier in camouflage uniform is partially hidden among dense green foliage under sunlight, highlighting the concept of stealth and blending with nature.
‘War Is Personal’ by Julia Kochetova, Ukraine | World Press Photo 2024

Through photos, illustrations, poetry, audio clips, and music, Kochetova examines the people impacted by the war in Ukraine. Although from the outside, the war can seem like two armies battling each other, Kochetova shows that the Ukrainian resistance is comprised of individuals—people with lives, families, hopes, and so much more.

About the World Press Photo Contest

The winning photographs featured above were selected from 61,062 entries by 3,851 photographers from 130 countries. The global winners were picked from the 24 regional winners unveiled earlier this month. The awarded stories will be exhibited in more than 60 locations worldwide.

“Each of these winning photographers is intimately and personally familiar with their topics. This helps them bring a deeper understanding to the rest of us, which hopefully leads to empathy and compassion. I am thankful for their dedication, courage, professionalism and skill,” explains the World Press Photo’s executive director, Joumana El Zein Khoury.

“The work of press and documentary photographers around the world is often done at high risk. This past year, the death toll in Gaza pushed the number of journalists killed to a near-record high. It is important to recognize the trauma they have experienced to show the world the humanitarian impact of the war.”

On that note, World Press Photo also mentions that more than 75% of the 99 journalists and media workers who died last year in the line of duty were killed in the Israel-Gaza war, which only started in October. Per the Committee to Protect Journalists, it is one of the deadliest conflicts for journalists on record.

So far this year, 95 journalists and media workers have been killed in the conflict. Of these, 90 are Palestinian, two are Israeli, and three are Lebanese.

“Work, for a news photographer, can be a dangerous place. Unlike other journalists, news photographers must be where the story is happening — which might be a war zone, a humanitarian disaster, or somewhere free and open media is not welcomed. Our regional model also brings us increasingly into contact with photographers who both work and live in places that are dangerous for journalists. Many are without proper support. We work alongside other press freedom organizations to help improve this,” explains World Press Photo.

“All of the winning images have such power to convey a specific moment, while also resonating beyond their own subject and time. This is what we were hoping to find. Our Photo of the Year truly encapsulates this sense of impact; it is incredibly moving to view and at the same time an argument for peace, which is extremely powerful when peace can sometimes feel like an unlikely fantasy,” adds global jury chair, Fiona Shields, head of photography at The Guardian.

“Many photographers are currently working in really challenging and almost unimaginable circumstances, so this year we wanted to ensure that we were applauding the complete breadth of work submitted.”

All the awarded photos are available on the World Press Photo website.


Image credits: World Press Photo / Individual photographers are credited in the image captions.

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