Everything You Need to Make Great Videos with an iPhone

With the recent addition of the Apple Log profile in the Apple iPhone 15/16 Pro/Pro Max models, you can capture truly professional video with the phone in your pocket. We use iPhone footage interwoven with large sensor mirrorless cameras constantly when shooting PetaPixel’s YouTube videos, and few viewers have commented on a difference. However, to make iPhone video truly compare to dedicated cameras, it takes a bit of technique, and a few additional accessories.


Full Disclosure: This story was sponsored by Lexar and the Go Portable SSD. The ultimate in ultra-portable SSDs, this compact drive plugs right into your phone, and allows you to shoot seamless video straight to the drive from your iPhone 15 Pro/Max or above.


Two side-by-side images of a park path with a blue-roofed shelter, showing color grading differences. The left is labeled "Default Profile," with muted tones. The right is labeled "Graded Apple Log," featuring enhanced colors and contrast.
The standard record modes are decent with punchy color and contrast, but the ability to grade Apple log recording gives way more control and nicer overall tonality.

iPhone Camera: The Simple, But Limited Default App

First, your creative options largely come down to the app you use. Starting with the Native Camera App, this offers a very simple interface, the best stabilization the phone is capable of (especially with “Action Mode” which crops and reduces resolution, but is shockingly stable), and spatial audio with clever mixing options.

A person blows seeds or small particles from their hands. They are outdoors, with a clear blue sky and trees in the background. The particles are dispersed in the air, captured in motion as they spread out.
iPhone 15/16 video is surprisingly good with usable log footage and high resolution, high framerate modes.

You can capture a punchy and I’d say over-sharpened SDR or HDR file or use the new Apple Log profile to get much more control over the image. Unfortunately, the excellent Apple Log recording can currently only be captured in the ProRes HQ format, which creates absolutely massive files. Furthermore, 4K/60P and now 4K/120P on the iPhone 16 Pro require that a fast external drive is connected when recording in Apple Log.

A person works on a laptop using video editing software. A small USB device is connected to the laptop, which rests on a wooden table. The person's hand is visible on the keyboard.
We like the new Lexar Go Portable SSD which gives up to 2 TB of storage, and is fast enough to handle ProRes 4k 120P log footage.

Attaching an SSD or CFExpress Card and reader is usually quite clunky (and we don’t recommend using SD cards and readers as they are nearly all too slow to keep up with ProRes HQ’s data rate). However, Lexar released a new Go Portable SSD and Hub that is small, simple, and elegant. This is now my preferred means of recording Apple Log.

Screenshot of a video editing interface showing two men standing on a sandy beach. One is holding a microphone, conducting an interview. In the background are palm trees and a boardwalk. The interface displays audio mix options and video settings.
The default camera app provides support for spatial audio on the latest iPhones which is something you’ll not yet find on the third-party apps.

The downside to using the default Camera app is the extremely limited manual control. You can drag exposure up and down and change your focus, but that’s basically it. If I’m using my iPhone for quick grab shots, I’m generally opening the basic camera app, but I avoid it for more serious work.

Final Cut Camera: Moving on Up…

If I want a bit more control but still want to keep things simple, I’ll use the new Final Cut Camera app. This still uses Apple’s excellent default stabilization, though you cannot access ‘Action Mode’. It also allows manual adjustment of white balance and focus, and importantly shows audio levels. This is the app I’ll use for product shots where I need white balance and focus locked, or for quick clips where I need to confirm that an external mic is connected properly.

A man with gray hair and a beard stands on a path, pointing upwards. He is wearing a dark jacket. The background features a scenic view of trees and open fields under a clear sky. The image has camera interface elements overlayed.
Final Cut Camera has an easy-to-use interface with a few more bells and whistles than the default app.

Speaking of external mics, they make a massive difference when audio is important. The iPhone’s built in mics are quite good, but they still allow a lot of environmental noise to get in. Using even a wired external Lavalier microphone when close up will really help isolate your voice. I like the Sennheiser XS Lavalier($60), which plugs directly into the USB-C port. However, if you want to record audio with the full body in frame or move around within the frame, it’s worth investing in a wireless mic setup, like the Rode Wireless Pro kit ($375).

An open black case containing three compact wireless devices labeled "Wireless Pro" is placed on a wooden surface. The case has a zipper and padding for protection.
The Final Cut Camera app at least lets you see audio levels which is essential when using mics.

Unfortunately, Final Cut Camera does not allow you to set the actual microphone recording levels, so you may notice the audio levels running way too loud if you start and stop speaking. Also this app can still only record Apple Log using the ProRes HQ codec. This means in-camera capture is limited to 4K/30P, and an external drive like the aforementioned Lexar Go Portable SSD is required for 4K/60P and 4K/120P.

A person is holding an iPhone with a Lexar Professional card reader attached to it. The card reader is black with a visible label. The background is blurred and outdoors.
You’ll want some sort of portable SSD around because the iPhone camera apps only offer massive ProRes HQ files when recording log.

Blackmagic Camera: Let’s Get Professional

This brings us to my favorite option for more advanced work: the free BlackMagic Camera App. I’m also hearing good things about Kino, but it’s a paid app and I haven’t personally used it for my work.

The Blackmagic app offers full control of all camera exposure settings, and opens up a wide variety of compression options. Most valuable to me is full manual exposure control, as I can finally set a manual shutter speed or shutter angle and determine the look of the motion in my video. All apps will default to a very fast shutter speed which can make motion look jerky, where a slow shutter speed creates natural looking motion. The issue you will run into outdoors is there’s too much light and you can’t stop down the iPhone camera’s aperture, so slow shutter speeds will overexposure your footage. The solution here is an external ND filter. Using these, I can get natural motion that cuts perfectly with my larger cameras. I’m currently using SmallRig’s 52mm Magnetic adapter and VND filter.

A digital interface for a camera app displays settings such as lens, FPS, and ISO with a blurred landscape in the background. The screen shows shutter speed at 172.8°, white balance at 4420K, and recording time at 1:32:56 with 20GB storage left.
The interface can be a little intimidating, but the Blackmagic app provides the most manual control by far.

The other major benefit of using the BlackMagic Camera App is that you can use more efficient compression and still record Apple Log. I like using Apple ProRes LT, which gives me file sizes less than half what of the default ProRes HQ but still plenty of room to grade the footage.

Screenshot of a settings menu showing options for video recording codecs. The options listed are Apple ProRes 422 HQ, Apple ProRes 422, Apple ProRes 422 LT (selected), Apple ProRes 422 Proxy, HEVC (H.265), and H.264.
The Blackmagic Camera app gives you many more levels of compression which are far more efficient for storage.

That said, using the BlackMagic Camera App the stabilization is significantly worse than the Native Camera App, even in its most advanced “Extreme” mode and spacial audio is currently not recorded. As well, the interface can initially be daunting, and I still find myself accidentally resetting my exposure by accident even after more than a year of use.

A person in a puffy jacket stands outdoors in a bright, overexposed setting. Camera interface details, including recording time and settings, are visible on the screen overlay.
You can set a fixed shutter speed in the Blackmagic app but you’ll usually need ND filters to cut the extra light.

Great Hardware is Easy but There Is No Single ‘Best’ App

Hopefully this goes to show that there are different apps and accessories I will rely on for different types of shooting. The Native Camera App is great for grabbing quick shots, especially when you require the most advanced image stabilization. Sure, the default image is overly processed but that’s often less important than speed and stability when something spontaneous happens.

The Final Cut Camera App is my preferred option when shooting quickly, but when using additional accessories like microphones. If I have time to setup my shot, and especially if I have ND filters handy, the Blackmagic Camera App is the only one that allows me to get access to all the manual controls and compression options I often require.

Hopefully this helps you determine which tools and techniques will make sense for the kind of iPhone video you want to create.

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