One of These Photographers Will Win the 2024 Leica Oskar Barnack Award

Leica has announced the 12 photographers shortlisted for the prestigious Leica Oskar Barnack Award (LOBA).

This year marks the 44th edition of the Leica Oskar Barnack Award. The dozen shortlisted photographers were selected after 80 international experts from around 50 countries submitted them as nominees. From there, a jury convened to choose the shortlist. The Leica Oskar Barnack Award includes two categories. There’s the Main Award and one for a Newcomer under 30 years old, selected from nominations by leading international photography institutions and universities across 20 countries.

The two winners will be announced at a grand celebration and awards ceremony on October 10, 2024, at Leica’s headquarters in Wetzlar, Germany.

All 12 shortlisted LOBA series will be featured at the ceremony in partnership with German photo printing company WhiteWall. Following this ceremony in Wetzlar, the shortlisted LOBA 2024 works will go on a lengthy tour, appearing at various Leica Galleries and photo festivals worldwide.

The Leica Oskar Barnack Award is one of the most significant in photography. The Main Award winner is awarded 40,000 euros, about $43,400, and Leica camera equipment valued at 10,000 euros ($10,865). The Newcomer Award recipient will receive 10,000 euros plus a Leica Q3.

“The LOBA is undoubtedly a milestone in the international photography scene and plays a key role in promoting good visual storytelling,” says Dimitri Beck, LOBA jury member and the Head of the Photography Department at Polka in France. “The presentation of a shortlist of 12 photographers and their works is important, to explore the diversity of visions and stories happening today.”

Leica Oskar Barnack Award 2024 Shortlisted Photographers

Forough Alaei: The Underneath of the Calm Streets of Iran

Photographer Forough Alaei, born in Iran in 1989, shows how many Iranian women have reacted to Mahsa Amini’s violent death in 2022. In her series, Alaei shows the young women who live the slogan, “Woman, Life, Freedom,” with exceptional confidence. The series shows that a young generation of Iranian women are fighting for their rights.

A person in a beige coat and headscarf hands a helmet to a motocross rider wearing a yellow outfit and cap. They stand beside a red dirt bike in front of an open car trunk on a barren, sandy ground under a blue sky with scattered clouds.
Hasti Rezaei (15), the youngest female motocross champion of Iran and UAE. Iran 2023. From the series The Underneath of the Calm Streets of Iran. | © Forough Alaei / LOBA 2024
A person wearing a gray hoodie stands pensively on a balcony, surrounded by urban buildings. In the background, a large, semi-transparent image of another face draped over the buildings creates a surreal, melancholic atmosphere. The sky is partly cloudy.
Elahe in front of the portrait of her sister Elmira. Both are artists. Elmira is studying in Canada while Elahe is still trying to find a way to emigrate. Iran 2020. From the series The Underneath of the Calm Streets of Iran. | © Forough Alaei / LOBA 2024
A group of four women, dressed in colorful traditional garments and patterned veils, stand on a sandy area near the sea with clear blue skies. Two women are holding smartphones, with one appearing to take a selfie under a tree. Shrubs and the ocean are in the background.
Women pose for a selfie before they get ready to go to work. Iran 2019. From the series The Underneath of the Calm Streets of Iran. | © Forough Alaei / LOBA 2024

Anush Babajanyan: Nagorno-Karabakh War and Exodus

This photo series centers on the years of conflict ravaging the Nagorno-Karabakh region of Azerbaijan. Armenians predominantly inhabited the region until they fled the area in September 2023. Babajanyan shows through her photos the threats, displacement, and uncertain futures facing the families in the area. Born in Armenia in 1983 and now living in Germany, Babajanyan is a multi-award-winning photographer and member of Agency VII.

A family of eight sits closely together on a sofa in a dimly lit room. An adult male in a military uniform is at the center. A table in front of them has a white tablecloth, cups, and plates. The family members appear somber and united.
Araksya Grigoryan, a single mother, poses with her seven children. Nagorno-Karabakh, 2017. From the series Nagorno-Karabakh War and Exodus. | © Anush Babajanyan / LOBA 2024
A woman sits on a bench in front of a large white tent, looking contemplative. A man stands nearby with his hands in his pockets, glancing to the side. Inside the tent, several people are visible, engaged in various activities around tables.
Anahit Stepanyan (right) at the humanitarian station and registration point, Kornidzor village. Armenia 2023. From the series Nagorno-Karabakh War and Exodus. | © Anush Babajanyan / LOBA 2024
A group of children play outside near an old, rusty fighter jet displayed on stilts. One child is jumping from a wooden structure, while others run around on the ground. The backdrop features rural buildings under a cloudy sky, with mountains in the distance.
Children play and run around a World War II airplane at Mets Tagher village. Nagorno-Karabakh, 2020. From the series Nagorno-Karabakh War and Exodus. | © Anush Babajanyan / LOBA 2024

Emily Garthwaite: Tears of Tigris

British photojournalist Emily Garthwaite, born in 1993, follows 1,900 kilometers (1,180 miles) of the River Tigris from its source in Turkey to its mouth in Iraq. The photographer looks at the politics, ethnic histories, national borders, and changing geography of the river’s path. The Tigris is on the brink of disaster, endangering about 30 million people.

Four girls with long dark hair sit in a line on a colorful, patterned bedspread in a cozy room. Each girl is braiding the hair of the one in front of her, creating a chain-like effect. The room is adorned with various fabrics and traditional textile decorations.
Four sisters plait each other’s hair. Kut, Iraq 2021. From the series Tears of the Tigris. | © Emily Garthwaite / LOBA 2024
A person in traditional attire walks on cracked, dry ground near a small body of water. Lush green trees and vegetation appear in the background against a clear sky. The image suggests a contrast between drought-stricken land and a nearby water source.
A farmer walks on the cracked, dry earth beside the Diyala river. Iraq, 2021. From the series Tears of the Tigris. | © Emily Garthwaite / LOBA 2024
A close-up of a man's face partially framed by tall, dry grass. Soft sunlight casts intricate shadows on his face, highlighting his green eyes, beard, and textured skin. The serene expression on his face is intensified by the natural light and surroundings.
Bassam al-Sheikh, an environmental activist. Iraq, 2023. From the series Tears of the Tigris. | © Emily Garthwaite / LOBA 2024

Ksenia Ivanova: Between the Trees of the South Caucasus

Born in Russia in 1990 and now living in Berlin, Germany, Ksenia Ivanova’s series looks at the war-torn region of the South Caucasus. With sight of the ongoing war in Ukraine, the series, photographed from 2019 to 2023, poses important questions about conflict in the region and how it impacts the people who live there.

A shirtless person is standing among green foliage while holding two grey rabbits close to their chest. The person wears black shorts and their face is partially visible, with a focused expression. The scene evokes a connection with nature and animals.
Shamil Kurt-Ogly (16), poses for a portrait with rabbits. Abkhazia, Georgia, 2020. From the series Between The Trees of The South Caucasus | © Ksenia Ivanova / LOBA 2024
A group of people outside a worn building. A woman stands to the left, three children are on the steps, with one seated. A woman in a black dress walks past. Laundry hangs on a line to the right, and a broom leans against the building. The door to the building is ajar.
Neighbours gathered for the funeral of one of the displaced Georgian women from Abkhazia, Tbilisi, Georgia, 2022. From the series Between The Trees of The South Caucasus | © Ksenia Ivanova / LOBA 2024
Six individuals in camouflage military uniforms sit along a stone wall by the sea, with a pier and lighthouse in the background. Some are interacting, while others look around or at the camera. The sky is clear, and the mood appears casual and relaxed.
Children during a drill competition between schools in Sukhumi, Abkhazia, Georgia, 2023. From the series Between The Trees of The South Caucasus | © Ksenia Ivanova / LOBA 2024

Maria Gutu: Homeland

Moldovan photographer Maria Gutu was born in 1996 and grew up without parents, like many children in Moldova from that generation. Her grandparents raised her, and this upbringing molds her photo series, which looks at roots, home, and how hardships affect children.

Black and white photo of a young girl lying on the ground, holding a bunch of leaves near her face. The girl looks directly at the camera with a calm expression. She has light curly hair and wears a dark jacket. Grass and foliage surround her.
Moldova, 2022. From the series Homeland. | © Maria Gutu / LOBA 2024
A person with a solemn expression is wearing a plaid shirt and turtleneck sweater, standing in front of a stack of chopped firewood. The background is dark and composed of various logs. The image is in black and white.
Moldova, 2022. From the series Homeland. | © Maria Gutu / LOBA 2024
Two young girls stand side by side outdoors on a grassy field, wearing traditional embroidered blouses and skirts. They face each other with hands on hips, smiling. Trees and a hilly background are visible. The image is in black and white.
Moldova, 2023. From the series Homeland. | © Maria Gutu / LOBA 2024

Lucas Lenci: Inattention Era

Brazilian photographer Lucas Lenci (b. 1980) offers a series of empty public spaces, which he views as metaphors for modern life and its associated information overload. Lenci describes an era in which people are constantly bombarded and, as a result, inattentive.

Black and white image of a futuristic tunnel with a moving walkway. The tunnel has illuminated rectangular panels on the ceiling and walls. The walkway stretches into the distance, creating a sense of depth and leading toward an unknown destination.
The largest LED panel tunnel in the world connects office spaces. São Paulo, Brazil, 2023. From the series
Inattention Era. | © Lucas Lenci / LOBA 2024
A modern building at night, partially illuminated with bright lights, highlighting its architectural features and vertical garden. The structure has a sleek design with clean lines and prominent vegetation. The surrounding street is dark and mostly empty.
Shopping mall, São Paulo, Brazil, 2023. From the series Inattention Era. | © Lucas Lenci / LOBA 2024
A nighttime photo of a modern urban building with a large, illuminated blank billboard at the center. The building features sleek architectural lines, stairs leading up to the entrance, and another adjacent building with the words "LES GRADES MARCHES" visible.
LED display at L’Opéra National de Paris. Paris, France 2024. From the series Inattention Era. | © Lucas Lenci / LOBA 2024

Adriana Loureiro Fernandez: Paradise Lost

Venezuelan photographer Adriana Loureiro Fernadez, born in 1988, documents the chaos and struggles of her country in this photo series, which acts as a personal diary of the nation’s collapse. The series also offers optimism by looking at the next generation of Venezuelans who have not yet abandoned their country or their hope for a better tomorrow. “Somewhere between the beauty and the horror is Paradise Lost,” she says.

A group of people, including two women and three children, are gathered in a dimly lit room with dark brown walls. One woman is lifting a toddler in the air while another woman sits on a couch holding an infant. A young girl stands nearby.
Grillis Febres (19, middle) and her friends play and cuddle with their children. Caracas, Venezuela, 2018. From the series Paradise Lost. | © Adriana Loureiro Fernández / LOBA 2024
A bustling street scene at sunset with tangled overhead wires. People walk along the sidewalk, and a person sits on the curb under the wires. Various vendors and vehicles are visible, contributing to the lively atmosphere. Sunlight casts a warm glow over the scene.
A busy street market, Caracas, Venezuela, 2023. From the series Paradise Lost. | © Adriana Loureiro Fernández / LOBA 2024
A person is mid-air, diving off a wooden structure into calm water, with remnants of other similar structures extending into the distance. The sky is clear with a slight hue of sunset, and the reflection of the structure is visible on the water's surface.
Yon Medina dives from an abandoned oil structure in Lake Maracaibo, Cabimas, Venezuela, 2022. From the series Paradise Lost. | © Adriana Loureiro Fernández / LOBA 2024

Sara Meneses Cuapio: Raízhambre (Root Hunger)

Forests on the slopes of Matlalcuéyetl, an inactive volcano in Tlaxcala, Mexico, have been decimated by illegal logging and invasive species. The damage impacts the environment and the people who live there, for whom the forests are sacred. Photographer Sara Meneses Cuapio, born in 1995, has family ties to the area and shows how environmental destruction connects to her cultural heritage.

Close-up image showing a person touching their chin with a contemplative gesture. Only the lower half of their face is visible, highlighting their thoughtful expression. Their weathered skin suggests age, with a background of blurred greenery.
Us, Matlalcuéyetl, Tlaxcala, Mexico, 2023. From the series Raízhambre. | © Sara Meneses Cuapio / LOBA 2024
A forest scene with sunlight filtering through tall trees. The foreground features a dense cluster of brown, dried-out foliage hanging from tree branches, contrasting with the green leaves and pine trees in the background. The overall mood is shadowy and serene.
Drowned, Matlalcuéyetl, Tlaxcala, Mexico, 2022. From the series Raízhambre. | © Sara Meneses Cuapio / LOBA 2024
An elderly person with gray hair is in the background, partially obscured by a spiky, dried flower in the foreground. The lighting is dim, casting soft shadows and creating a subdued atmosphere.
Botton. You. Matlalcuéyetl, Tlaxcala, Mexico, 2022. From the series Raízhambre. | © Sara Meneses Cuapio / LOBA 2024

Davide Monteleone: Critical Minerals — Geography of Energy

Swiss-born and Italy-based photographer Davide Monteleone (b. 1974) investigates the complexities of renewable energy as they relate to geopolitics, society, and the environment. The series examines copper, lithium, and cobalt mining in Chile, the Democratic Republic of the Congo, and Indonesia.

A person covered in white dust sits on a rock in a rocky, barren landscape. They are wearing a light-colored long-sleeve shirt and pants, and they are barefoot. The background shows more rocky terrain and hazy sky. The individual looks contemplative and tired.
Portrait of a miner. Kolwezi, Democratic Republic of the Congo (DRC), 2023. From the series Critical Minerals — Geography of Energy. | © Davide Monteleone / LOBA 2024
A person stands in shallow, yellowish water. They are wearing yellow gloves, a dark vest, and tall black rubber boots with yellow soles. Only the lower half of their body is visible in the image.
Worker collecting samples from a lithium pond. Albemarle Facility, Chile, 2023. From the series Critical Minerals — Geography of Energy. | © Davide Monteleone / LOBA 2024
A vast, arid landscape with a flat, white, salt-covered path flanked by bright yellow railings. The path leads through large, greenish water ponds. In the background, distant mountain ranges are visible under a clear blue sky.
Aerial view of lithium evaporation ponds. Albemarle Facility, Chile, 2023. From the series Critical Minerals — Geography of Energy. | © Davide Monteleone / LOBA 2024

Ingmar Björn Nolting: An Anthology of Changing Climate

German photographer Ingar Björn Nolting, born in 1995, looks at his country’s ambitious climate goals and how they divide German society. The government aims to be climate-neutral by 2045, which impacts various regions of Germany in very different ways. The photo series considers how social consensus may be reached to grapple with climate change and the country’s long-term goals.

An aerial view of an industrial area at dusk with several smokestacks emitting clouds of smoke. The complex includes multiple buildings and chimneys, surrounded by greenery and a body of water on the left. The sky is cloudy, casting a greyish light over the scene.
A steel plant in Duisburg, Germany, 2023. From the series An Anthology of a Changing Climate. | © Ingmar Björn Nolting / LOBA 2024
An amusement park ride with people seated in a circular formation is in mid-motion, tilting upwards on an orange track. In the background, there is a large, mountain-themed cooling tower. Trees and greenery surround the ride and tower on a clear day.
A scene at the Wunderland Kalkar amusement park, Germany, 2023. From the series An Anthology of a Changing Climate. | © Ingmar Björn Nolting / LOBA 2024
Two people, one in a mask, stand on a dirt path in a forest engulfed in smoke from a fire. The sky is filled with thick, dark smoke. The person without a mask appears to be filming or taking photos with their phone. Burned trees and scorched earth are visible.
Two men in front of a forest fire in Jüterbog, Germany, 2023. From the series An Anthology of a Changing Climate. | © Ingmar Björn Nolting / LOBA 2024

Tong Niu: Express Delivery

Chinese photographer Tong Niu (b. 1998) shows how Chinese logistics and courier industries are faring amid an economic slowdown. The large-format photographs show how people in the big cities deal with their daily work while also following them to their original towns in rural regions. The series grapples with people moving for better futures, and what happens when the path toward a better future becomes more challenging.

A person wearing a pink raincoat and hat stands on a dimly lit balcony of an old, weathered building at night. The area is cluttered with exposed wiring, bicycles, and surrounding balconies. A warm light emanates from an open doorway inside the building.
After the rain, the courier cycles home from work. China, 2022. From the series Express Delivery. | © Tong Niu / LOBA 2024
A chaotic room is filled with stacks of boxes and parcels, with packages spilling out into the open spaces. Two people wearing dark clothes and hats are sorting through the piles. Shelving units in the background are also overloaded with various packages.
A portion of a shipment that a courier employee needs to process in a morning before the Chinese New Year. China, 2021. From the series Express Delivery. | © Tong Niu / LOBA 2024
A man sits on top of a light blue ZTO Express delivery tricycle in a residential area. The vehicle is decorated with logos and a QR code. Various buildings, plants, a bicycle, and a parked car are visible in the background. The sky is clear and sunny.
Young father, young courier. China, 2022. From the series Express Delivery. | © Tong Niu / LOBA 2024

Etinosa Yvonne: It’s All in My Head

Nigerian photographer Etinosa Yvonne was born in 1989 and has lived through violence and terrorism. Yvonne’s series looks at more than 60 traumatized children and adults from different parts of Nigeria who have grappled with their experiences.

A double exposure black and white image showing a woman in a hijab overlaid with a forest scene. The woman’s face is faintly visible through the fabric, blending with the trees, creating a serene and contemplative atmosphere.
Hajara Abubakar, Nigeria, 2018. From the series It’s All in My Head. | © Etinosa Yvonne / LOBA 2024
A black and white composite image features a man's side profile merged with a seascape. The man's face is superimposed over the calm ocean with a distant boat. The artwork blends human emotion with nature, creating a contemplative and surreal scene.
Jimoh Boton. Nigeria, 2018. From the series It’s All in My Head. | © Etinosa Yvonne / LOBA 2024
A black and white double exposure image features a side profile of a person wearing a patterned headscarf. The profile is overlaid with a textured landscape, incorporating organic elements like trees and rocks, blending the human form with nature seamlessly.
Jamila. Nigeria, 2019. From the series It’s All in My Head. | © Etinosa Yvonne / LOBA 2024

More From the Leica Oskar Barnack Award 2024 Team

Karin Rehn-Kaufmann, Art Director and General Representative of Leica Galleries International adds, “The collaboration with the nominators and the jury’s discussions surrounding the various series were, once again, highly enjoyable and enriching. The results are impressive; and it seems more important than ever to offer committed photographers a forum where their series can respond to current challenging problems. Therefore, it is not surprising that climate and the environment, social and ethnic conflicts, violence and marginalization are at the center of many of the series.”

“All of the series show a humanistic view of the difficult situations in the world. I’m particularly pleased that even more women photographers entered the competition this year,” Rehn-Kaufmann adds.

In the coming weeks, Leica will showcase each shortlisted series featured above in depth, delivering a closer look at each photographer’s work. PetaPixel will highlight the winners as soon as they are announced in October.


Image credits: Leica Oskar Barnack Award 2024. Each shortlisted photographer is credited in the individual photo captions.

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