The cinematographer behind Netflix’s Baby Reindeer has revealed how he made the hit TV show feel so intense and unsettling. Netflix’s sleeper hit Baby Reindeer is based on the real-life …
The cinematographer behind the hit TV series Fallout has revealed how he created the epic visual style of the video game adaptation with lighting, color, and leaning into the Western …
A classic wide image from The Zone of Interest. Oscar-winning movies are associated with huge crews and intense sets but that is definitely not the case with The Zone of …
As if getting your hands on a Fujifilm X100VI wasn’t hard enough, this past week was even more challenging for those who tried to nab one of just 300 available …
The gigantic sandworms go on the warpath in “Dune: Part Two” The cinematographer behind Dune: Part Two has revealed how he was able to make everything look so big in …
Sigma may be best known for its photographic lenses, but the company’s video-specific Cine lenses are very well regarded in the industry. So much so, in fact, that the Giant …
Oppenheimer cinematographer Hoyte van Hoytema urged aspiring filmmakers to shoot with old-school film formats in his Oscars acceptance speech. On Sunday, van Hoytema won the Academy Award for Best Cinematography …
A wide shot of Robert Downey Jr.’s character Louis Strauss in Oppenheimer. Christopher Nolan’s love affair with IMAX cameras is no secret and the director’s enthusiasm for them caused new …
There’s something magical about the moment the ground falls away as we soar into the air. The helicopter’s engines start to whir, and everything begins to shake. Cameras are ready, …
The cinematographer behind the Oscar-nominated film The Holdovers has revealed how he made the movie look, feel, and sound like it was actually made during the decade it is set …