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cinematography

Wide Lenses Were Created Especially to Film Close-Ups in ‘Oppenheimer’

by Lutz Gotzman
Wide Lenses Were Created Especially to Film Close-Ups in ‘Oppenheimer’

A wide shot of Robert Downey Jr.’s character Louis Strauss in Oppenheimer. Christopher Nolan’s love affair with IMAX cameras is no secret and the director’s enthusiasm for them caused new …

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Greenland from Above: A Filmmaker’s Guide to Helicopter Cinematography

by Lutz Gotzman
Greenland from Above: A Filmmaker’s Guide to Helicopter Cinematography

There’s something magical about the moment the ground falls away as we soar into the air. The helicopter’s engines start to whir, and everything begins to shake. Cameras are ready, …

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How ‘The Holdovers’ Cinematographer Made The Film Look It’s Made in the 1970s

by Lutz Gotzman
How ‘The Holdovers’ Cinematographer Made The Film Look It’s Made in the 1970s

The cinematographer behind the Oscar-nominated film The Holdovers has revealed how he made the movie look, feel, and sound like it was actually made during the decade it is set …

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This is Why Hit Film ‘Saltburn’ Was Filmed in a 4:3 Aspect Ratio

by Lutz Gotzman
This is Why Hit Film ‘Saltburn’ Was Filmed in a 4:3 Aspect Ratio

Among the many things you couldn’t possibly forget about Emerald Fennell’s hit movie Saltburn, one of them surely was the film’s highly unusual 4:3 aspect ratio. Emerald Fennell’s latest film …

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How ‘Poor Things’ Cinematographer Filmed Emma Stone’s Viral Dance Scene

by Lutz Gotzman
How ‘Poor Things’ Cinematographer Filmed Emma Stone’s Viral Dance Scene

The cinematographer behind Poor Things has revealed how he filmed the movie’s iconic dance scene between Emma Stone and Mark Ruffalo. Yorgos Lanthimos’ new film Poor Things follows Bella Baxter, …

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