The International Woolmark Prize is back after switching to a biannual schedule in 2023. The eight finalists for the 2025 edition were announced today, and as ever, they are a reflection of the exciting talent currently making waves in the fashion industry. They are: Act No 1’s Luca Lin and Galib Gassanoff, Diotima’s Rachel Scott, Duran Lantink, Ester Manas’s Ester Manas and Balthazar Delepierre, LGN Louis Gabriel Nouchi, Luar’s Raúl Lopez, Meryll Rogge, and Standing Ground’s Michael Stewart.
“This year’s cohort is a diverse group of creatives—which is so important for the future of fashion and the industry in general,” said Ib Kamara, who will be the Guest Artistic Director for this year’s event. “Being from different countries, backgrounds, and disciplines means that we will have a very global take on fashion. I hope they will bring their own culture and perspectives to this year’s prize and allow us a glimpse into their worlds.”
The finalists will all receive AU$60,000 (about $39,000 USD) for the creation and development of a small collection in Merino wool, supported by mentoring from industry leaders including Business of Fashion’s editor-at-large Tim Blanks, Tilting the Lens founder Sinéad Burke, fashion editor and stylist, Gabriella Karefa-Johnson, SVP and fashion director at Saks Roopal Patel, and Sara Sozzani Maino, creative director of the Sozzani Foundation and Camera Nazionale della Moda Italiana International New Talent and Brands Ambassador. The winner will receive AU$300,000 (about $195,000 USD) to invest in their business. The Karl Lagerfeld Award for Innovation has since been expanded to include any member of the fashion industry. “We find ourselves in a moment when the demand for innovation and constructive solutions has never been greater,” explained John Roberts, Woolmark General Manager. “Inspiration can arise from any source. We recognize the Woolmark Prize platform’s ability to spotlight fresh ideas, and we are committed to harnessing this program to amplify these innovative concepts.”
Innovation is the key-word for the Woolmark Prize, and indeed, all the finalists are known for their innovative ideas—some in their business practices and approaches to community, and others with a more textile-driven approach. “Each season, I strive to deepen my understanding of craft, crochet, threadwork, and fabric manipulation,” said Diotima’s Rachel Scott. “For us, innovation is about redefining fashion through inclusivity, creativity, and sustainability,” said the Ester Manas designers in an email. “It’s not just about creating new designs—it’s about breaking down the traditional boundaries of size and fabric usage.” Duran Lantink expressed similar thoughts: “It’s about reimagining what’s possible within fashion’s existing structures—breaking down and reconstructing pieces in ways that create new value from what already exists.” At Luar, Lopez defined it as “pushing boundaries by blending cultural references, streetwear, and luxury, while challenging traditional fashion norms.” Louis Gabriel Nouchi believes that “innovation means sincerity,” while Act No 1’s Luca Lin and Galib Gassanoff, liken innovation to “remaining open to new transformations and influences, and being reborn while always remembering our origins.”